Merle Dixon is certainly one of
the most crazy issues ever developed by a TV show named The Walking Dead. I indicate
that his entire position in the show senses maniac--he's just like a blip in the
matrix, or a unexpected-oncoming brain hemorrhage. He was announced in an
individual episode of the show's first season: He threw out the N-phrase,
roughed up half the cast, then ended up handcuffed on a roof top. You could say
that Merle was the 1st "villain" on the show -- or in any case, the
first indication that the zombies might be massive, but the genuine enemies
were HUMANS and so on. (See additionally: Every zombie video. Cross-reference
with this season's tagline: "Combat the Dead, Dread the Living. ")
But Merle wasn't a superior man driven crazy by the apocalypse; nor, as an
example, was he a terrible man who only took the end of the world as a chance
to take pleasure in his every impulse. He just appeared just like a guy who was
definitely delighted that the world was dismal. He was just like a minor demon
in the backdrop of a Hieronymus Bosh artwork, or like the old terrible version
of Wolverine before Hollywood scrubbed him into reputable man-candy.
Merle vanished after that episode, abandoning a
single bloody hand. But the character made an instant impact, and in the long
year between season 1 and 2, his story expanded. Because his destiny was left
unclear, the query of What Occurred to Merle grew to become The Walking Dead's
first and solely genuine unknown -- a unintentional "What's in the hatch?
" discussing factor for enthusiasts. But "unintentional" is the
key word there. In retrospect, it appears like Merle was far more crucial to
audiences than he was to the show's makers. The character's sole presence in
season 2 was as an unreal friend, leering at the camera and inspiring Daryl
Motherf---ing Dixon to climb a metaphorical mountain.
Season 3 of The Walking Dead is, in a way, a model
instance of offering the people what they need. The body count is tremendously
higher. The speed is quicker. The triple introduction of The Governor, The
Prison, and Michonne comprises a veritable orgy of fan support. So it is
sensible that Merle would stage a return. However here's the thing about Merle:
He appears to significantly change his personality every scene. Sometimes he's
an army-level tactician; sometimes he's an insane kook with a lot of guns;
sometimes he's a doe-eyed flirtatious rascal. The truth that Michael Rooker
appears like he could be anyplace from 35 to 78 years old contributes to the
feeling that Merle could be anybody whenever you want. From Cheapondvd.com
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